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Recitals
with Kurt Ollmann. Click for information
Universities
University
of Nevada Las Vegas (Mini-residency), September 29 — October 4, 1986.
Master classes for singers and pianists, private coaching and Lecture for the
University Forum Series: Communication Through Poetry and Music.
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“Your
visit really served to invigorate students and faculty alike. This is
exactly the kind of intellectual and artistic stimulation we seek through
the mini-residency program. Your excellent presentation in the University
Forum helped us reach beyond the campus audience and contribute to the
cultural life of the Las Vegas community.” Thomas C. Wright, Dean, College
of Arts and Letters, UNLV.
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“You
were able to achieve the enviable goal of adapting your presentations to
each student at their own level of progress: as a result, all of them were
able to relate to the experience in a very positive way.” Dr. Carol
Kimball, Coordinator, Vocal Studies, UNLV. |
    
North
Dakota State University Fargo, April 21 and 22, 1988. Master classes for
singers and pianists and presentation to the French language classes. Songs by
Ireland, Mozart, Barber, Smetana, Gluck, Ravel, Duparc, Fauré, Debussy, Mozart,
Schumann.
    
University
of Minnesota Minneapolis. January 19, 1989. Master Class in French Diction
and Mélodie. Songs by Fauré, Duparc, Poulenc and Debussy.
    
Oregon
State University Corvallis. February 13, 2001. Master Class in French Vocal
Music. Songs of Debussy, Bizet, Fauré and arias of Massenet.
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"I
just wanted to thank you again for coming to Oregon and having such a
positive impact on everyone you dealt with . . .I’ve had great response to
your class here at OSU. Several of the better voice teachers in the area
attended and have called since to thank me for the opportunity. . . .”
Richard Poppino, Head of the Voice Department, OSU. |
   
University
of Nevada Las Vegas (Artist–in–Residence), February 19–23, 2001.
Individual lessons for graduate voice majors and accompanists, Guest Lecture
about Jacques Leguerney for graduate Art Song Class, Guest Lecture comparing
songs of Debussy and Fauré for Song Literature class. Master Classes for voice
majors and accompanists.
    
Coe
College, Guest Series, March 4, 2001. Songs by Fauré, Debussy, Hahn,
Poulenc.
    
University
of Texas Austin, April 10—17, 1991. The Mélodies of Jacques Leguerney, an
Art Song Festival dedicated to the works of the composer presented by the
Department of Music. Music Department Chairman Richard Lawn and Faculty
Supervisor Martha Deathrage were instrumental in the organization of the event.
James Knapp was the Festival Director. Jacques Leguerney coached all of his
published songs in collaboration with Mary Dibbern, Carol
Kimball, Kurt Ollmann, James Knapp and Eric Daub. All of the songs were then
presented in a series of five recitals.
    
Red River
High School, Grand Forks, ND. October 4, 2002
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"On
behalf of the Red River Concert Choir and Madrigal Singers, thank you so
much for sharing your story and talent with us. We all learned a great deal
from your visit." N.Y., RR Concert Choir
President
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"I
think I learned more from you in 10 minutes than I have in 6 months. Thank
you for all your help. You are such an inspiration!" M.P.
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"I
really appreciated your taking the time to help me with my French and style.
I don't feel like I'm blindly throwing syllables into the air anymore."
N.M.
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"You
have inspired me through your words and by your accomplishments. Thank you
for sharing all of your wonderful gifts with us." E.M.T.
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"It
was a great honor to work with you, and it gave me an entirely new
perspective towards the songs I perform. You have opened a whole new door
for me to the expression and emotion of music. I've performed many songs
before, but I never paid much attention to what I was singing, or what the
song was really about. Watching the techniques and details of the songs with
the students you worked on made me able to assess what I need to work on,
too. It gives me the courage and hope to achieve anything I set my mind to.
This was a life-altering experience, and I am forever grateful to you for
the generosity, effort and skill that you've shown me." G.
C. |
   
University
of North Dakota (Grand Forks). October 5, 2002. Distinguished Artist
Series
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"Dear
Mary: I wanted to pass on to you an encouraging sign. Our students
seem not so intimidated by French. Since your visit, I have had
several students insist that we assign and practice some mélodies.
One student is working on Fauré, one on Chausson, and the girl who sang
Porgi amor, is working on two Bizet and one Délibes. Again,
thank you for your visit and inspiration." Royce Blackburn, University of North
Dakota Dept. of Music
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 | "Dear
Mary, We are still feeling the thrill from your concert! And as for the
master class, you have been voted the ideal clinician. Everybody left the
session improved in some way. We are all so proud of you and honored to have
been involved in some small way in your preparation. Love, Thelma
(Willett)" |
   
Linfield
College, October 30, 2002. French songs and arias.
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"Thank
you so much, Mary, for spending an hour with the French students. I think
the exercises in speaking really helped them - they told me so Friday.
Enjoyed the evening concert also. I'm glad it was so well attended.
Merci encore - A bientôt, j'espère..." Margaret
Krause, French faculty Linfield College |
   
Oregon State
University, November 1, 2002. French songs.
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"Thanks
so much for coming to OSU and giving us your time. As always, it was a treat
for me personally. And the students got a tremendous amount out of
it." Richard Poppino,Professor of
Voice, OSU |
   
Whitman
College (Walla Walla, Washington), 2003. French and German songs.
   
Southern Methodist
University (Dallas, Texas), September 15, 2003. Class in French Art Song.
   
North Texas
University (Denton), September 19, 2003. Class in French Art Song.
   
University of
Wisconsin Milwaukee February 2004. French and German songs and Arias.
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"Thank
you so much for coming to Milwaukee and working with all of us! I know
that it was appreciated, and Rebecca and I were especially grateful for all
of your guidance.... It helped a great deal :-) "
Barbara Castonguay |
   
University of Miami Summer Program at Salzburg (Austria). August 2006.
   
International Opera Center. Brenau University, Gainesville, Georgia. September, 2006.
   
Piedmont College, Demorest,
Georgia, September, 2006.
   
Clayton State University, Atlanta, Georgia. September 2006.
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Thank you for the the beautiful concert, and the wonderful master class you gave for our students at Clayton State University. It was an excellent
experience for them--You worked with each of them so well--and went right to the heart of their personal "issues."
Kurt Zeller, Director of Opera and Vocal Activities
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I just wanted to drop you a quick note to let you know how much your time at Clayton State was appreciated this past Wednesday. I know that our students learned so much from you, and I only wish that a few of our piano majors who dabble in accompanying could have been there to see that there is so much more to this line of work than just "playing the piano." (It was also nice to participate in a master class where I felt like more than just a piece of furniture in the background!)
--Alex Benford |
   
Smith
College, Northampton, MA Department of Music, Earle Recital Hall,
December 2006.
   
Glennis McCrary School of Music's Lyceum Series of Master Classes, sponsored by the Meadows Foundation. Baylor University, Waco, TX., April 2007.
   
The Minnesota Opera, Resident Artist Program, Minneapolis, Minnesota. Fall 2007.
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Dear Mary,
I want you to know how much I enjoyed the class today. It is amazing how much you are able to accomplish with various singers, and everything is through language, style, colors, drama, and not through technique. And yet, the technical things improve because of how you talk about the former items. It is very educational and inspirational for me as a young conductor and coach.
--Andrew Altenbach, Associate Conductor in Residence,
The Minnesota Opera
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The Wanda L. Bass School of Music,
Oklahoma City University, Fall 2007.
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It was so great to have you here. The class was incredible! You made
the French language seem so much easier. Also, they got that it is really
singing from vowel to vowel. They sometimes forget. Thanks so much for the
info. And I can't wait to see you this summer.
--Dr. Frank Wayne Ragsdale, Assistant Professor of
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The Crane School of Music, State University of New York-Potsdam. Fall 2007.
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Your teaching has been amazing for me to employ with my students. You are one hell of a good listener. Thank you for everything. I hope you will want to return at some point to work again.
--Deb Massell, Assistant Professor of Voice
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I am a student of Deborah
Massell. I would like to thank you for working with me in the master class on October 24th (I performed the Boulanger piece!). Your
advice on French diction and the interpretation of the song has
helped me immensely. I had to perform "Reflets" for NATS on October
27th, and the tips that you gave me (especially concerning vowel
sounds) really enabled me to sing freely and with a greater emotional connection. Even though I still have a lot to learn about the
language, I feel like you've set me on the right track. Working with you was an amazing experience, and I am glad that I was granted such
a wonderful opportunity. Again, thank you for your time and knowledge. Have a lovely evening!
--Sincerely, Danielle McMullen
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I am a junior at the Crane School of
Music at SUNY Potsdam. I spoke with you after the round table discussion for the performance majors last week and we discussed the Salzburg summer
program out of the University of Miami's Frost School of Music.
The reason I am writing you today is to thank you for visiting us at Crane and congratulate you on a wonderful performance and
master class. It is always inspiring to watch the countless professionals, visiting or in
residency, at our school. Such opportunity can be taken for granted when it happens so often, but for me each experience opens my eyes a little bit
wider to the beauty in which music is expressed and taught.
The passion of which we all share for our music can sometimes be hard to
express. However, the professionalism, the beauty, and the harmony of
which you and the other vocal faculty brought to the stage exemplified the passion shared within all of us as musicians.
My whole life I have always lived by a certain quote. Ralph Waldo Emerson
once said, "Nothing great was ever accomplished without enthusiasm." It's
this enthusiasm you shared with us this past week, that proves to me why
you are so successful. I was inspired and walked out of the master class
feeling refreshed and eager to jump into my own repertoire to apply some
of the techniques of which had just been discussed.
I know that the inspiration that I speak of can sound a little far-fetched
when I wasn't even one of the ones who got to work with you. But I truly
was touched by your presence here and sincerely appreciated the knowledge and incite you brought with you to share with me and my colleagues. I was
once told by someone very wise that sometimes you can learn more by sitting, listening, and watching, than you can by doing. I am lucky that
my mom still shares these different incites with me.
I hope that one day our paths will cross again, and rather than only being
an audience participant, I will be able to further my growth and learning
by taking a more kinesthetic part in your teachings. Perhaps with the Salzburg opportunity, our paths will cross sooner than later.
--Most sincerely and much thanks, Bryan Elsesser
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Thank you all for a truly wonderful recital last night. We are very fortunate to have such fine performing faculty in our school.
And thank you particularly to Mary for bringing her tremendous artistry and understanding of the French repertoire and for promoting the magnificent music of
Leguerney.
--Francois Germain, Lecturer in Piano, Crane School of Music
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Baylor
University (Texas) 2007

National
Association of
Teachers of Singing
Rutgers
University 1999
Summer Workshop: French Art Song in Study and Performance. Masterclasses given
by Mary Dibbern: Fauré Masterclass (July 9), Duparc and Chausson Masterclass
(July 9), Masterclass by Mary Dibbern and Carol
Kimball: The Music of Jacques Leguerney (July 10), Artist Recital by Kurt
Ollmann, baritone, and Mary Dibbern at the piano: Songs by Fauré, Leguerney,
Debussy, and Poulenc (July 11).
    
Dallas
Ft. Worth Chapter Fall Workshop (Southern Methodist University, Dallas,
Texas), October 22, 2000. Arias by Bizet, Donizetti and songs by Poulenc,
Debussy, Fauré.
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“Thank
you for a beautifully presented master class today. . . . I really
appreciated your sensitivity to the ages and backgrounds of the various
students. . . . While you had much to impart in terms of diction, style,
musicianship and artistry, you did so in such a graceful and elegant manner
that the students were able to respond to you in a relaxed and easy way. . .
. My profound thanks to you for a stunning master class and best wishes for
the success of your new books.” Linda Di Fiore, Vice-President, DFW
Chapter NATS
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“Thank
you again for an absolutely wonderful class! . . . It is very rare to find
someone of your international stature who can speak so clearly and
articulately to both singer and pianist.” Barbara Moore, Professor of
Voice, Southern Methodist University
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Georgia
Chapter and Georgia
Music Teachers Association Fall Master Classes, (North Georgia College, Dalongea,
Georgia), November 3 and 4, 2000. Songs by Debussy, Chausson, Satie, Poulenc,
Fauré, Delibes, Chausson, Koechlin, Hahn, Barber. Arias by Massenet.
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“You
worked so well with both singers and pianists, while making your comments in a
way that engaged the audience as well. Thank you for sharing your broad
knowledge of the repertoire, your intimate knowledge of French composers and
performers, your fabulous musicianship and sense of style—as well as humor—
with us. We all left with a deeper understanding of French repertoire and style
as well as practical tools with which to achieve a higher level of
performance.” Martha
L. Malone, Education Chair, Georgia NATS
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Puget
Sound Chapter (Seattle, Washington). February 3, 2001. Master Class. Songs by Debussy, Bizet,
Fauré, Gounod, Delibes, Ravel, Hahn, Chabrier, Poulenc. Arias by Tchaikowsky,
Massenet, Bizet.
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"Thank
you so much for coming to us and conducting a marvelous workshop.”
Ute
Freund, President, Puget Sound Chapter NATS
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Cascade
Chapter (Portland,
Oregon). Lewis & Clark College. February 10, 2001. Presentation lecture with
slides about the life and works of Jacques Leguerney. Master Class with songs by
Bizet, Hahn, Debussy, Berlioz, Ibert and Fauré.
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“It
was such a pleasure to have you visit the Cascade Chapter of NATS and to provide
us with such an engaging introduction to the music of Leguerney and a wonderful
masterclass. . . . I hope we’ll be able to look forward to future visits to
Oregon.”
Kurt-Alexander
Zeller, Program Chair, Cascade Chapter of N.A.T.S.
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San
Diego Chapter,
February 17, 2001. Winter Workshops. Songs of Fauré and Debussy. Presentation
of Lecture presenting the life and works of Jacques Leguerney, illustrated with
color slides. French Songs and Arias.
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“Dear
Mary, You are a terrific coach with all the qualities that make a great teacher:
a complete command of the material, patience, a gentle sense of humor, the
ability to explain things several different ways depending on the student, and
the wonderful talent of finding something positive in every student. I hope our
paths cross again. . .” Ronald Banks, baritone
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Las
Vegas Chapter,
February 22, 2001. Guest Lecture on using the International Phonetic Alphabet to
teach French pronunciation for singers.
    
Iowa
Chapter workshop at
Coe College, March 3, 2001. Arias of Massenet, songs of Debussy and Saint-Saëns.
   
Tahoma Chapter,
Tacoma, Washington, March 9, 2002. French Song Workshop.
 | "Hi,
Mary---Megan said she had a terrific time working with you last Saturday.
I was happy to see her so buoyant about her time with you. I'm really sorry
I couldn't be there. Love," Richard Poppino, Professor of Voice,
Oregon State University, Corvalis
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 | "Thank
you so much for the wonderful opportunity to work on our French repertoire!
Vanessa and I had a great time on the drive home today discussing all we
learned and all we want to work on for Paris as a result of our two
coachings yesterday. It was so wonderful to be in such a nurturing
educational and supportive environment." April Duvic, Portland, Oregon
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was so gratified to sit and listen to everyone's singing and diction
details. Mary, we MUST have you give a lengthy French diction CLASS where
you can go through the diction books with us and clarify the little details.
Since the books differ in some important points, I for one would love to
know from an expert the SOUND of these things and get explanation for
some of the discrepancies." Sandra Glover, President,
Tahoma Chapter |
   
Cascade Chapter (Portland, Oregon), Pacific University at Forest Grove.
Italian and French Songs.
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"I have heard nothing but
praise for the class. I know that the students received a great deal
from you, and, as a member of the audience, I too learned a great deal.
I hope that we will have the pleasure of doing something together again
sometime." Valerie (program chairman for
NATS Cascade Chapter)
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Other
Dallas Museum of Art/Horchow Hall at the Myserson Symphony
Center. Class with Kurt Ollmann, baritone, for singers selected by Darren Keith Woods (Fort Worth Opera). April 2007.
   
"From the Conductor's Perspective" New York City Operatic Master Classes for Advanced Singers presented by the International Opera Alliance with Maestro Peter Mark, General and Artistic Director of the Virginia Opera. Head coach for the participants. November, 2006.
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